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He sings about "the fear of the end in a burning tower," which is almost certainly a 9/11 reference and not a End-World reference. Was Jennings aware of that? Is he building on King's work with this song? That is unclear. Interestingly, Stephen King wrote a piece for the New York Times way back in 1984 in which he talked about that phenomenon a bit. At midnight, the public airwaves will be taken over by the government, so this is Will o' the Wisp's final episode of "Last Light Radio." He's going to be going out by playing the music of Hierophant.įor those of you who didn't already know, "trisaidekaphobia" is the fear of the number thirteen. Stephen King makes his first appearance, informing us that freedom has failed, and that this land isn't our land it's their land. Though it's excellent, clean audio that was obviously laid in afterward.] The uploader just went for a drive and recorded the road, presumably with the album playing! Don't worry,
#Songs like shooter jennings gunslinger series#
[ Here is a video somebody put on YouTube, and it appears t be part of a series of cam vids in which
#Songs like shooter jennings gunslinger movie#
Life is a movie - we are all actors - don't let them edit you out Jennings' singing style reminds me a bit here of Steve Miller if Steve Miller didn't suck (which he does, although I still love "Abracadabra" and "The Joker" to this day). Album DescriptionThis track begins with slow, ominous notes, and eventually builds to become a sort of apocalypse-rock anthem.
See More Your browser does not support the audio element. Box these sounds whichever way you want to, but they are all Shooter Jennings, and as music, The Other Life is all killer, no filler. He fully realizes here what he's been attempting all along. Jennings truly came into his own on Family Man, but on The Other Life, he pushes the boundaries further, offering some of the finest songs he's written to date. Its lyric is a militant gauntlet directed at those who would disrespect him, yet displays a camaraderie with outsider musicians of all stripes. Album-closer "The Gunslinger" is Jennings' own anthem, drenched in country, rock, R&B, and even jazz, courtesy of the improvisational interplay between Jonathan Stewart's tenor saxophone, guitars, keyboards, and the rhythm section. But more than that, the song is a celebration of all that doesn't fit - anywhere. (Neither Jennings nor Biram took a co-write for it something unheard of in Music City.) It underscores the iconoclastic legacy bequeathed to Jennings by his free-spirited parents.
This reading of the 1971 tune contains skittering rockabilly drums, pumping upright bass, wailing pedal steel, hyper-acoustic guitars, piercing fiddles, and an additional verse. Young, an underground legend, authored the outlaw anthem "Lonesome Orn'ry & Mean," a signature tune for Jennings' dad. The first single is a wooly, rowdy reading of Steve Young's "White Trash Song," with Scott H. There are fine, midtempo honky tonkers including "The Outsider" and the pedal steel- and banjo-saturated "The Low Road." There are steamy, electric, country-kissed, blues-rock numbers such as "A Hard Lesson to Learn," and the rock & roll boogie of "Mama It's Just My Medicine." There's a shuffling, snarling, futuristic, midtempo Americana tune in "15 Million Light Years Away," with reverb-drenched production that features a weathered (not weary) Jim Dandy - from Black Oak Arkansas - as a duet partner. The set contains gorgeous country ballads such as "Wild and Lonesome" (with Patty Griffin on backing vocals) and the title track. It throws the listener for a loop, but resolutely belongs - but only as the first cut. The brooding opener "Flying Saucer Song," a piano- and effects-driven number, is eventually transformed into a spaced-out, gospel-tinged song about space (outer and inner). The Other Life is wilder, darker, rowdier, and more diverse than its predecessor. Six of these tracks were cut at the earlier album's sessions, including the firebrand "Outlaw You," the tune for the music video that was a musical middle finger to Eric Church and Jason Aldean (which has curiously gone unanswered). If 2012's Family Man was his most "country" album, The Other Life is its companion and mirror, not its follow-up. Shooter Jennings has always demanded to be taken on his own terms.
#Songs like shooter jennings gunslinger download#
Purchase and download this album in a wide variety of formats depending on your needs.
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